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Tilanga Ragini, Page from a Ragamala series, Basohli, c. 1690-1700
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Rama and Lakshmana on top of the Rishyamuka mountain contemplating entering Kishkindha; Page from the Shangri Ramayana, Style IV, By a Pahari artist, perhaps from Bilaspur, 1710-20
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Yudhishthira performs the Horse Sacrifice - Page from the ‘Small’ Guler-Basohli Bhagavata Purana Series, Attributed to Manaku, Guler, c. 1740
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A Nayika at her Toilette, Guler, c. 1750-60
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Mian Mukand Dev of Jasrota, Jasrota or Jammu, under Guler influence, c. 1740
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The Sakhi describes Krishna’s lovelorn State to a hesitant Radha - Page from the ‘Tehri-Garhwal’ Gitagovinda Series , Guler or Kangra, c. 1775-80
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Krishna observes Radha’s Toilette - Page from the ‘Tehri-Garhwal’ Satsai of Bihari, Probably painted by the Guler artist Fattu at Kangra, c. 1785
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The lovelorn Utka Nayika, Chamba, School of Mahesh, c. 1765-70
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Shiva and Parvati riding their Vehicles Nandi the Bull and the Devi’s Lion, Chamba, c. 1780-90
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The Goddess emanates from the Essence of all the Gods - Page from a Devi Mahatmya Series, By a Guler artist, 1775-80
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Vishnu outside his Vaikuntha Palace with the seven Kumaras , Attributed to the Guler artist Ranjha at Chamba, 1790-1800
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Krishna and his Kin dallying with their Wives and Courtesans by the Sea Shore at Pindaraka - Page from a Harivamsa Series, Style of Purkhu, Kangra, c. 1810-20
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Krishna examines a Picture of his beloved which the Sakhi has brought him - Page from the Rasikapriya of Keshav Das, Attributed to Purkhu, Kangra, c. 1810-20
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Abhimanyu trapped in the Chakravyuha Formation strikes Ashvatthama with his Mace - Page from a Mahabharata Series , Kangra, c. 1820
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Vipralabdha Nayika, Style of Sajnu, Mandi, 1810-20
Pahari Paintings from the Seitz Collection
Past exhibition